Sōran Bushi
ソラン節
| [Genre] | Min'yo |
| [Also Known As] | そうらん節 |
History (Takahashi Yujiro):
| (Work Song Version) Herring fishing brought thousands of migrant workers to Hokkaido, Japan's northern island, each spring until early this century. Songs accompanied each stage of fishing, such as rowing and net-hauling. "Soran Bushi" was sung while transferring the herring from large drift-nets into small taxi-boats with giant hand-nets. The abundant lyrics are often improvised, erotic or comical - helping to keep workers awake during several days without sleep. This recording - which eschews the bawdier verses - gives an idea of how "Soran Bushi" would have sounded as a functioning work song, as opposed to the following track: rough-edged, spontaneous, in a northeastern accent. (introduction: meaningless rhythmic calls) (chorus:) Ee yaren soran soran soran soran soran (hai hai) Yoichi's a fine place - come visit sometime: flames of gold shoot up from the waves. If you ask the seagull, "Have the herring come?", "I'm just a migrating bird; ask the waves". (Tonight, for one night I sleep on a damask pillow; tomorrow, on shipboard, the waves are my pillow.) |
Sōran Bushi appears on the following albums
| Album | Artist | |
| All the Best from Japan | ||
| Flute and Koto of Japan |
Shamisen : Yonekawa Toshiko Shakuhachi : Yamaguchi Gorō | |
| Japanese Bamboo Flute |
Shakuhachi : Richard Stagg | |
| Japanese Treasures | ||
|
A folksong.
| ||
| Koto Melodies of Japan - Hogaku Yonin no Kai (The Four Players Group) |
Koto : Yazaki Akiko Shakuhachi : Kitahara Kōzan II Koto : Gotō Sumiko Koto : Kikuchi Teiko | |
|
This tune, too, is connected with fishing. Fishermen of Hokkaieo, a big island lying east of the Japanese mainland, sang this song in celebration of a good catch of herring. It conveys the toughness of fishermen who fight against a cold stormy sea.
| ||
| Memories of Japan |
Shakuhachi : Riley Kōho Lee | |
| Min'yo - Folk Song from Japan - Takahashi Yujiro and friends | ||
|
(Work Song Version) Herring fishing brought thousands of migrant workers to Hokkaido, Japan's northern island, each spring until early this century. Songs accompanied each stage of fishing, such as rowing and net-hauling. "Soran Bushi" was sung while transferring the herring from large drift-nets into small taxi-boats with giant hand-nets. The abundant lyrics are often improvised, erotic or comical - helping to keep workers awake during several days without sleep. This recording - which eschews the bawdier verses - gives an idea of how "Soran Bushi" would have sounded as a functioning work song, as opposed to the following track: rough-edged, spontaneous, in a northeastern accent. (introduction: meaningless rhythmic calls) (chorus:) Ee yaren soran soran soran soran soran (hai hai) Yoichi's a fine place - come visit sometime: flames of gold shoot up from the waves. If you ask the seagull, "Have the herring come?", "I'm just a migrating bird; ask the waves". (Tonight, for one night I sleep on a damask pillow; tomorrow, on shipboard, the waves are my pillow.) Copyright 1999 - Dr David W. Hughes e-mail dh6@soas.ac.uk | ||
| Min'yo - Folk Song from Japan - Takahashi Yujiro and friends |
Shakuhachi : Takahashi Yujiro | |
|
(Stage Version) Contrasting with Soran Bushi (Work Song Version), here is the same song in its typical stage version, with instruments, female chorus, and a clean, polished vocal in a standard Japanese accent. Women were not involved in herring netting. However, either men or women may sing any folk song. Copyright 1999 - Dr David W. Hughes e-mail dh6@soas.ac.uk | ||
| Musical Memories of Japan | ||
| Shakuhachi Min'yo - Furusato no Uta - Vol 1 |
Shakuhachi : Yashita Isamu | |
| Shakuhachi no Shirabe - Hietsuki Bushi |
Shakuhachi : Miyata Kōhachirō | |
| Shakuhachi/ Kaze no Tabi - Volume 4 |
Shakuhachi : Suzuki Jofū Shakuhachi : Yamashita Mufū Shakuhachi : Saeki Shōfū | |