Mitsuzaki Kengyō
光崎 検校
作曲
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At the end of the Tokugawa shogunate, under the influence of the national studies of Motoori Norinaga and others, he entered the era of retrospectives, and composed purely koto songs, which brought about a major turning point in the history of koto. He revived the koto, making it not subordinate to the shamisen, and influenced Yoshizawa Kengyo. He is in the same class as Kikuoka Kengyo. His koto teacher is Yaezaki Kengyō.
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先生
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